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Htca04 1718 nuevos enlaces - Historial de revisiones
2026-04-14T16:15:14Z
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Perezdelama: /* Miscelánea */
2023-11-29T11:45:19Z
<p><span dir="auto"><span class="autocomment">Miscelánea</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 11:45 29 nov 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l198" >Línea 198:</td>
<td colspan="2" class="diff-lineno">Línea 198:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Dave Merrill and Lauren Leatherby, 2018, Here's How America Uses Its Land, https://www.bloomberg.com/graphics/2018-us-land-use/</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Dave Merrill and Lauren Leatherby, 2018, Here's How America Uses Its Land, https://www.bloomberg.com/graphics/2018-us-land-use/</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Juan Santiago Palero, 2023, Christopher Alexander en los orígenes del abordaje colaborativo de la vivienda: la experiencia de Mexicali. Hábitat y Sociedad, (16), 19-41. disponible en: https://institucional.us.es/revistas/habitat/16/HyS_N16_2023_02.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Brian Resnick and Javier Zarracina, 2018, All life on Earth, in one staggering chart: https://www.vox.com/science-and-health/2018/5/29/17386112/all-life-on-earth-chart-weight-plants-animals-pnas | relacionado: https://www.quora.com/What-would-happen-if-every-living-organism-on-Earth-excluding-humans-suddenly-became-10-24-times-as-large  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Brian Resnick and Javier Zarracina, 2018, All life on Earth, in one staggering chart: https://www.vox.com/science-and-health/2018/5/29/17386112/all-life-on-earth-chart-weight-plants-animals-pnas | relacionado: https://www.quora.com/What-would-happen-if-every-living-organism-on-Earth-excluding-humans-suddenly-became-10-24-times-as-large  </div></td></tr>
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Perezdelama
https://1984.lsi.us.es/wiki_nam_htca/index.php?title=Htca04_1718_nuevos_enlaces&diff=5743&oldid=prev
Perezdelama: /* Paisajes de los metabolismos urbanos */
2022-10-24T11:33:39Z
<p><span dir="auto"><span class="autocomment">Paisajes de los metabolismos urbanos</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 11:33 24 oct 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l78" >Línea 78:</td>
<td colspan="2" class="diff-lineno">Línea 78:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bianca Bosker, 2019, Why Everything Is Getting Louder. The tech industry is producing a rising din. Our bodies can’t adapt, en: https://www.theatlantic.com/magazine/archive/2019/11/the-end-of-silence/598366/</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bianca Bosker, 2019, Why Everything Is Getting Louder. The tech industry is producing a rising din. Our bodies can’t adapt, en: https://www.theatlantic.com/magazine/archive/2019/11/the-end-of-silence/598366/</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Vinciane Despret (conversación con Bruno Latour y Emmanuele Cozzia), 2020, Critical Zones, ZKM (vídeo): https://youtu.be/i9KuujJWzpM?t=13493 | accedido 24/10/2022</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ecoinventos.com, 2018, Los mejores documentales sobre ecología y medio ambiente [entre otros, Home & Demain, para descarga y streaming], en: https://ecoinventos.com/documentales-verdes/</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ecoinventos.com, 2018, Los mejores documentales sobre ecología y medio ambiente [entre otros, Home & Demain, para descarga y streaming], en: https://ecoinventos.com/documentales-verdes/</div></td></tr>
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Perezdelama
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Perezdelama: /* Paisajes de los metabolismos urbanos */
2022-01-20T12:30:21Z
<p><span dir="auto"><span class="autocomment">Paisajes de los metabolismos urbanos</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 12:30 20 ene 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l80" >Línea 80:</td>
<td colspan="2" class="diff-lineno">Línea 80:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ecoinventos.com, 2018, Los mejores documentales sobre ecología y medio ambiente [entre otros, Home & Demain, para descarga y streaming], en: https://ecoinventos.com/documentales-verdes/</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ecoinventos.com, 2018, Los mejores documentales sobre ecología y medio ambiente [entre otros, Home & Demain, para descarga y streaming], en: https://ecoinventos.com/documentales-verdes/</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Masanobu Fukuoka, 1976, La revolución de una brizna de paja / de un rastrojo -- y otros textos descargables sobre permacultura (Holmgren++), en: https://autosuficienciaparatodos.blogspot.com/p/libros-de-permacultura.html | visitado 20/01/2022</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Óscar Guayabero, 2018, Más allá del Antropoceno, http://ctxt.es/es/20180425/Culturas/19274/cambio-climatico-antropoceno-cccb-exposicion-barcelona.htm</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Óscar Guayabero, 2018, Más allá del Antropoceno, http://ctxt.es/es/20180425/Culturas/19274/cambio-climatico-antropoceno-cccb-exposicion-barcelona.htm</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l95" >Línea 95:</td>
<td colspan="2" class="diff-lineno">Línea 97:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ____, 2015, Entrevista de Ross Andersen con JP sobre su libro ''After Nature'': Nature Has Lost Its Meaning. To solve climate change, we need to reimagine our entire relationship to the nonhuman world, en: https://www.theatlantic.com/science/archive/2015/11/nature-has-lost-its-meaning/417918/</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ____, 2015, Entrevista de Ross Andersen con JP sobre su libro ''After Nature'': Nature Has Lost Its Meaning. To solve climate change, we need to reimagine our entire relationship to the nonhuman world, en: https://www.theatlantic.com/science/archive/2015/11/nature-has-lost-its-meaning/417918/</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Hermaos Urkia y otros, repositorio de libros sobre energías frenovables prácticas, https://autosuficienciaparatodos.blogspot.com/p/blog-page_17.html | visitado 20/01/2022</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Christian Wahl, 2019, The New Alchemy Institute: pioneers of ecological design, en: https://medium.com/age-of-awareness/the-new-alchemy-institute-d0992ce33a68 | accedido 19/12/2019; en español: https://www.academia.edu/3991371/El_Instituto_de_la_Nueva_Alquimia_Article_about_New_Alchemy_Institute_Spanish_Daniel_Christian_Wahl_EcoHabitar</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Christian Wahl, 2019, The New Alchemy Institute: pioneers of ecological design, en: https://medium.com/age-of-awareness/the-new-alchemy-institute-d0992ce33a68 | accedido 19/12/2019; en español: https://www.academia.edu/3991371/El_Instituto_de_la_Nueva_Alquimia_Article_about_New_Alchemy_Institute_Spanish_Daniel_Christian_Wahl_EcoHabitar</div></td></tr>
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Perezdelama
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Perezdelama: /* Paisajes de la violencia */
2021-04-11T12:09:43Z
<p><span dir="auto"><span class="autocomment">Paisajes de la violencia</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 12:09 11 abr 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l162" >Línea 162:</td>
<td colspan="2" class="diff-lineno">Línea 162:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Paisajes de la violencia==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Paisajes de la violencia==</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Gabriel Albiac, 2020, Nec spe nec metu, en: https://www.jotdown.es/2020/09/nec-spe-nec-metu/</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Hannah Arendt, [1951], The Origins of Totalitarianism, página de Wikipedia: https://en.wikipedia.org/wiki/The_Origins_of_Totalitarianism</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Leopold Lambert, 2016, Towards a Post-Apartheid Palestine: Atlas of the Israeli Settlements in the West Bank and East Jerusalem, https://thefunambulist.net/architectural-projects/towards-a-post-apartheid-palestine-atlas-of-the-israeli-settlements-in-the-west-bank-and-east-jerusalem</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Leopold Lambert, 2016, Towards a Post-Apartheid Palestine: Atlas of the Israeli Settlements in the West Bank and East Jerusalem, https://thefunambulist.net/architectural-projects/towards-a-post-apartheid-palestine-atlas-of-the-israeli-settlements-in-the-west-bank-and-east-jerusalem</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Leopold Lambert, 2015, # Palestine /// “Make the Desert Bloom”: Manufacturing the Israeli Territory/Narrative, https://thefunambulist.net/architectural-projects/palestine-make-the-desert-bloom-manufacturing-the-israeli-territorynarrative</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Leopold Lambert, 2015, # Palestine /// “Make the Desert Bloom”: Manufacturing the Israeli Territory/Narrative, https://thefunambulist.net/architectural-projects/palestine-make-the-desert-bloom-manufacturing-the-israeli-territorynarrative</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Achile Mbembe, 2003, Necropolitics, Public Culture (2003) 15 (1): 11–40, Duke University Press, en: https://read.dukeupress.edu/public-culture/article-abstract/15/1/11/31714/Necropolitics | accedido 2020</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Maha Yahya, 2018, The Politics of Dispossession (Siria, reconstruction): http://carnegie-mec.org/diwan/76290</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Maha Yahya, 2018, The Politics of Dispossession (Siria, reconstruction): http://carnegie-mec.org/diwan/76290</div></td></tr>
</table>
Perezdelama
https://1984.lsi.us.es/wiki_nam_htca/index.php?title=Htca04_1718_nuevos_enlaces&diff=4171&oldid=prev
Perezdelama: /* Casos de estudio */
2020-10-24T16:44:49Z
<p><span dir="auto"><span class="autocomment">Casos de estudio</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 16:44 24 oct 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l43" >Línea 43:</td>
<td colspan="2" class="diff-lineno">Línea 43:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ignacio Farías, Tomás Sánchez Criado, 2018, On the Possibility of Socialist-democratic Design Things: Interview with Pelle Ehn. Interviewers: I. Farías & T. Sánchez Criado, en: http://ojs.uc.cl/index.php/Disena/article/view/17</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ignacio Farías, Tomás Sánchez Criado, 2018, On the Possibility of Socialist-democratic Design Things: Interview with Pelle Ehn. Interviewers: I. Farías & T. Sánchez Criado, en: http://ojs.uc.cl/index.php/Disena/article/view/17</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rem Koolhaas et al, 1970-72, Exodus, or the voluntary prisoners of architecture, <del class="diffchange diffchange-inline">https://socks-studio.com/2011/03/19/exodus-or-the-voluntary-prisoners-of-architecture/ </del>| tesis doctoral de Carlos García González, ETSAM, 2014, Atlas of Exodus, http://oa.upm.es/30888/1/CARLOS_GARCIA_GONZALEZ.pdf | ver también en SMLXL</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Rem Koolhaas et al, 1970-72, Exodus, or the voluntary prisoners of architecture, <ins class="diffchange diffchange-inline">''link desactivado'' </ins>| tesis doctoral de Carlos García González, ETSAM, 2014, Atlas of Exodus, http://oa.upm.es/30888/1/CARLOS_GARCIA_GONZALEZ.pdf | ver también en SMLXL</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Paisajes de los cuidados/feminismos/reproducción social==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Paisajes de los cuidados/feminismos/reproducción social==</div></td></tr>
</table>
Perezdelama
https://1984.lsi.us.es/wiki_nam_htca/index.php?title=Htca04_1718_nuevos_enlaces&diff=4170&oldid=prev
Perezdelama: /* Casos de estudio */
2020-10-24T16:44:10Z
<p><span dir="auto"><span class="autocomment">Casos de estudio</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 16:44 24 oct 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l43" >Línea 43:</td>
<td colspan="2" class="diff-lineno">Línea 43:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ignacio Farías, Tomás Sánchez Criado, 2018, On the Possibility of Socialist-democratic Design Things: Interview with Pelle Ehn. Interviewers: I. Farías & T. Sánchez Criado, en: http://ojs.uc.cl/index.php/Disena/article/view/17</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ignacio Farías, Tomás Sánchez Criado, 2018, On the Possibility of Socialist-democratic Design Things: Interview with Pelle Ehn. Interviewers: I. Farías & T. Sánchez Criado, en: http://ojs.uc.cl/index.php/Disena/article/view/17</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rem Koolhaas et al, 1970-72, Exodus, or the voluntary prisoners of architecture, <del class="diffchange diffchange-inline">http</del>://socks-studio.com/2011/03/19/exodus-or-the-voluntary-prisoners-of-architecture/ | tesis doctoral de Carlos García González, ETSAM, 2014, Atlas of Exodus, http://oa.upm.es/30888/1/CARLOS_GARCIA_GONZALEZ.pdf | ver también en SMLXL</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Rem Koolhaas et al, 1970-72, Exodus, or the voluntary prisoners of architecture, <ins class="diffchange diffchange-inline">https</ins>://socks-studio.com/2011/03/19/exodus-or-the-voluntary-prisoners-of-architecture/ | tesis doctoral de Carlos García González, ETSAM, 2014, Atlas of Exodus, http://oa.upm.es/30888/1/CARLOS_GARCIA_GONZALEZ.pdf | ver también en SMLXL</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Paisajes de los cuidados/feminismos/reproducción social==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Paisajes de los cuidados/feminismos/reproducción social==</div></td></tr>
</table>
Perezdelama
https://1984.lsi.us.es/wiki_nam_htca/index.php?title=Htca04_1718_nuevos_enlaces&diff=3746&oldid=prev
Perezdelama: /* Paisajes de los metabolismos urbanos */
2019-12-26T12:07:03Z
<p><span dir="auto"><span class="autocomment">Paisajes de los metabolismos urbanos</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 12:07 26 dic 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l82" >Línea 82:</td>
<td colspan="2" class="diff-lineno">Línea 82:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Óscar Guayabero, 2018, Más allá del Antropoceno, http://ctxt.es/es/20180425/Culturas/19274/cambio-climatico-antropoceno-cccb-exposicion-barcelona.htm</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Óscar Guayabero, 2018, Más allá del Antropoceno, http://ctxt.es/es/20180425/Culturas/19274/cambio-climatico-antropoceno-cccb-exposicion-barcelona.htm</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Donna Haraway (interview with Logicmag), 2019, A Giant Bumptious Litter: Donna Haraway on Truth, Technology, and Resisting Extinction, Logic Issue 9 / Nature decemeber 07, 2019, en: https://logicmag.io/nature/a-giant-bumptious-litter/ | accessed 26/12/2019</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">** "I’m very pro-technology, but I belong to a crowd that is quite skeptical of the projects of what we might call the “techno-fix,” in part because of their profound immersion in technocapitalism and their disengagement from communities of practice." </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Yayo Herrero, 2018, "Miradas ecofeministas para revertir la guerra contra la vida" (conferencia, vídeo), Post-Arcadia 2, CENDEAC, Murcía, https://youtu.be/Zg2eEs5sIhI</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Yayo Herrero, 2018, "Miradas ecofeministas para revertir la guerra contra la vida" (conferencia, vídeo), Post-Arcadia 2, CENDEAC, Murcía, https://youtu.be/Zg2eEs5sIhI</div></td></tr>
</table>
Perezdelama
https://1984.lsi.us.es/wiki_nam_htca/index.php?title=Htca04_1718_nuevos_enlaces&diff=3745&oldid=prev
Perezdelama: /* Paisajes de los metabolismos urbanos */
2019-12-19T23:58:58Z
<p><span dir="auto"><span class="autocomment">Paisajes de los metabolismos urbanos</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 23:58 19 dic 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l92" >Línea 92:</td>
<td colspan="2" class="diff-lineno">Línea 92:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ____, 2015, Entrevista de Ross Andersen con JP sobre su libro ''After Nature'': Nature Has Lost Its Meaning. To solve climate change, we need to reimagine our entire relationship to the nonhuman world, en: https://www.theatlantic.com/science/archive/2015/11/nature-has-lost-its-meaning/417918/</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* ____, 2015, Entrevista de Ross Andersen con JP sobre su libro ''After Nature'': Nature Has Lost Its Meaning. To solve climate change, we need to reimagine our entire relationship to the nonhuman world, en: https://www.theatlantic.com/science/archive/2015/11/nature-has-lost-its-meaning/417918/</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Daniel Christian Wahl, 2019, The New Alchemy Institute: pioneers of ecological design, en: https://medium.com/age-of-awareness/the-new-alchemy-institute-d0992ce33a68 | accedido 19/12/2019; en español: https://www.academia.edu/3991371/El_Instituto_de_la_Nueva_Alquimia_Article_about_New_Alchemy_Institute_Spanish_Daniel_Christian_Wahl_EcoHabitar</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Anatxu Zabalbeascoa, 2018, ¿Qué es el Tercer Paisaje? (Gilles Clement), en: https://elpais.com/elpais/2018/06/11/del_tirador_a_la_ciudad/1528722941_557298.html</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Anatxu Zabalbeascoa, 2018, ¿Qué es el Tercer Paisaje? (Gilles Clement), en: https://elpais.com/elpais/2018/06/11/del_tirador_a_la_ciudad/1528722941_557298.html</div></td></tr>
</table>
Perezdelama
https://1984.lsi.us.es/wiki_nam_htca/index.php?title=Htca04_1718_nuevos_enlaces&diff=3731&oldid=prev
Perezdelama: /* Miscelánea */
2019-12-11T19:58:58Z
<p><span dir="auto"><span class="autocomment">Miscelánea</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 19:58 11 dic 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l173" >Línea 173:</td>
<td colspan="2" class="diff-lineno">Línea 173:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Amador Fernández Savater, 2019, Pensar, para poder respirar, eldiario-es, en: https://www.eldiario.es/interferencias/Pensar-poder-respirar_6_971212879.html | accedido 11/12/2019</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Amador Fernández Savater, 2019, Pensar, para poder respirar, eldiario-es, en: https://www.eldiario.es/interferencias/Pensar-poder-respirar_6_971212879.html | accedido 11/12/2019</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">** Algunas ideas para clase</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* David Graeber, 2019, Against Economics, reseña de: Money and Government: The Past and Future of Economics, by Robert Skidelsky, The New York Review of Books December 5, 2019 Issue, en: https://www.nybooks.com/articles/2019/12/05/against-economics/ | accedido 02/12/2019</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* David Graeber, 2019, Against Economics, reseña de: Money and Government: The Past and Future of Economics, by Robert Skidelsky, The New York Review of Books December 5, 2019 Issue, en: https://www.nybooks.com/articles/2019/12/05/against-economics/ | accedido 02/12/2019</div></td></tr>
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Perezdelama
https://1984.lsi.us.es/wiki_nam_htca/index.php?title=Htca04_1718_nuevos_enlaces&diff=3730&oldid=prev
Perezdelama: /* Miscelánea */
2019-12-11T19:58:36Z
<p><span dir="auto"><span class="autocomment">Miscelánea</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">← Revisión anterior</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisión del 19:58 11 dic 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l171" >Línea 171:</td>
<td colspan="2" class="diff-lineno">Línea 171:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Iago Carro / ergosfera, 2018, Sobre participación (encuentro hack no formal), en: https://twitter.com/IDYSmad/status/1010102743866970112</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Iago Carro / ergosfera, 2018, Sobre participación (encuentro hack no formal), en: https://twitter.com/IDYSmad/status/1010102743866970112</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Amador Fernández Savater, 2019, Pensar, para poder respirar, eldiario-es, en: https://www.eldiario.es/interferencias/Pensar-poder-respirar_6_971212879.html | accedido 11/12/2019</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* David Graeber, 2019, Against Economics, reseña de: Money and Government: The Past and Future of Economics, by Robert Skidelsky, The New York Review of Books December 5, 2019 Issue, en: https://www.nybooks.com/articles/2019/12/05/against-economics/ | accedido 02/12/2019</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* David Graeber, 2019, Against Economics, reseña de: Money and Government: The Past and Future of Economics, by Robert Skidelsky, The New York Review of Books December 5, 2019 Issue, en: https://www.nybooks.com/articles/2019/12/05/against-economics/ | accedido 02/12/2019</div></td></tr>
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Perezdelama